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	<title>Shual &#187; new-media</title>
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	<description>Design Studio &#124;&#124; Guy Saggee &#38; Mushon Zer-Aviv</description>
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		<title>Ghetto Fighters&#8217; museum</title>
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		<pubDate>Thu, 18 May 2006 10:45:51 +0000</pubDate>
		<dc:creator>guy</dc:creator>
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		<guid isPermaLink="false">http://www.shual.com/2008/?p=335</guid>
		<description><![CDATA[A collaboration with Romy Achituv. part of the permanent installation in the Ghetto Fighters&#8217; museum. At the Yizkor Hall, touch screens provide an overlapping collage of figures from the Archives, whose stories emerge from the landscape of memory. each additional touch reveals more of the images.]]></description>
			<content:encoded><![CDATA[<p>A collaboration with <a href="http://gavaligai.com" target="_blank">Romy Achituv</a>. part of the permanent installation in the Ghetto Fighters&#8217; museum. At the Yizkor Hall, touch screens provide an overlapping collage of figures from the Archives, whose stories emerge from the landscape of memory. each additional touch reveals more of the images.</p>
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		<title>Pangaea</title>
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		<pubDate>Sun, 15 May 2005 19:17:45 +0000</pubDate>
		<dc:creator>guy</dc:creator>
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		<description><![CDATA[An audiovisual performance which is a collaboration between the two percussionists &#8216;Percadu&#8217;, the compositor Yechezkel Raz and Shual. In the show, premiered in the Israel Festival, two screens present the projection of a women&#8217;s image occupied in private, domestic metaphysic activity involving the imaginary ocean between the two screens. The image responded visually to the [...]]]></description>
			<content:encoded><![CDATA[<p>An audiovisual performance which is a collaboration between the two percussionists &#8216;Percadu&#8217;, the compositor Yechezkel Raz and Shual. In the show, premiered in the Israel Festival, two screens present the projection of a women&#8217;s image occupied in private, domestic metaphysic activity involving the imaginary ocean between the two screens. The image responded visually to the electronic track of the piece and contradicted the muscular presence of the two musicians on the stage.</p>
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